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・ Max Sedlmeyer
・ Max Seeburg
・ Max Seefelder
・ Max Seela
・ Max Seibald
・ Max Seiffert
・ Max Selen
・ Max Seligsohn
・ Max Sering
・ Max Settlage
・ Max Seydewitz
・ Max Shachtman
・ Max Sharam
・ Max Sherman
・ Max Sherman (Ontario politician)
Max Shertz
・ Max Shortell
・ Max Showalter
・ Max Shulman
・ Max Sick
・ Max Siegel
・ Max Siegel (psychologist)
・ Max Sievers
・ Max Sillig
・ Max Silverman
・ Max Silverstein
・ Max Silvestri
・ Max Simeoni
・ Max Simmers
・ Max Simon


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Max Shertz : ウィキペディア英語版
Max Shertz

Max Shertz (March 25, 1933 – October 15, 2009) was an American artist, painter, sculptor, writer, poet, and teacher. Shertz is known for his "Art of the Unconscious" style of abstract expressionism. His works are displayed and collected by museums, public institutions, and collectors. In protest against the commercialization of the art world, Shertz was reclusive for the last 25 years of his life, and the work Shertz produced during those years has not been released to the public.
==Early years==

Shertz was born in Brooklyn, to parents who married young and divorced when he was 5 years old. Shertz's maternal family was musically gifted: his great grandfather, Professor Gottlieb, and his seven children formed a classical ensemble performing all over Europe and in New York.
Shertz demonstrated an unusual artistic talent at an early age. At 17 Shertz joined the Marines. After returning from Korea, he studied at the New York Art Students League, where he apprenticed under, and was influenced by, Hans Hofmann and Raphael Soyer, who would later become his close friend. Shertz then moved to Hollywood, where he lived with his uncle, neurosurgeon Daniel Weller, and Weller's wife, columnist writer Helen and sister of Herman Hoover, owner of Ciro's, the famous night club of the 1940s and 1950s. While in Hollywood Shertz worked as an agent and television actor. In 1956 Shertz met his first wife, Edith Tunik (Edi), and they had four children: Marla, Dana, Joshua and Nilda. Disillusioned with show business and drawn to his first love, art, Shertz left Hollywood to devote himself to painting. During that time he apprenticed with the artist Boris Deutsch.
In addition to Hofman and Jackson Pollock, Shertz was also influenced by André Masson, the father of automatism and influential in the American Expressionist movement. Starting in the 1960s, Shertz's work was figurative and abstract expressionist.
As an emerging talent of the modern art scene of the 1960s and 1970s, ''Art in America'' said of Shertz's work in 1972:
''The Herald Tribune'' in 1973 said of Shertz:
Shertz was the first American painter to be exhibited at the Manila Cultural Center of the Philippines. "Festival of the Three Bridges" was commissioned by City Center, Alvin Ailey II in 1971. Although not religious in the traditional sense, his Jewish identity was important to him. He created works related to the Holocaust, including several murals. The "Story of Judaism", a 20-foot mural at Mount Zion Hospital in San Francisco, was dedicated by the late George Moscone in 1976. His artist series portraits, which included Picasso, Braque, Chagall, Masson, Hofmann, Klee, Krasner, Pollock, Gorky, Kandinsky, Miró and Shertz himself, appear on the Nichols Winery Masterpiece Art series wine collections.〔Wine Web, "()", "Nicholas Masterpiece Series", July 1, 2001. Retrieved on March 27, 2011.〕
Shertz also taught art for more than twenty years. As a teacher, he said: "I want to awaken passion and mysticism, and to establish lost contact with the unique creator, the ever unknown unconscious master who lives next to the soul and spirit. All true art, whether painting, sculpture, writing or poetry emanates from the magic unconscious. How to unleash this magic is never explored by conventional or traditional schools of art."
Throughout the 1970s and 1980s Shertz lived in San Francisco, Los Angeles, and New York. He lived with his wife, Edi, as well as his mistress, muse, and future wife Christiane, whom he had his fifth child with, Jedediah.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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